Benedetta Tagliabue on Architecture and Travel
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What is the importance of architectural tourism?
In a way, tourism is now kind of a new thing happening. I’m kind of surprised, for example, when I come back from a trip there is a big advertisement in Barcelona saying: “You will travel more” and to me is: “No, please, I don’t want to travel more”. Really, I travel at the maximum of my possibility because I have to and, sometimes, this idea of travelling is something very positive. Anyway, I don’t think that it is like this, but we are creating a kind of an idea like this, that travelling is always fantastic.
Architecture, in a way, is for whoever needs it. But, nowadays, we have so many people going here or there. It’s very important that architecture is recognizable, familiar, making you feel happy. So, we are in a moment where there is a lot of translating ideas from one place to the other. And, also, there is more consciousness about making good quality architecture, because people find it in many different places. So, for example, public space is becoming more important, good quality is becoming more important, fantastic lights. I think tourism on architecture is more about us becoming conscious.
I think that it is very important. For example, this idea of public space is so incredible. Now, I’m preparing a lecture for public spaces and I was thinking many times about the importance of the quality of public space. And, then, I realized that what I would like to say is so simple. Good quality architecture is making people happier. Bad quality architecture is making people not happy.
It’s just as simple as that. To learn how to make good quality architecture needs a lot of effort but, mainly, the idea is this. And, mainly, when you make a project you should be very conscious about this, about making something that will make people feel happier in that place.
What is the importance of Architectural events (like WAF that is holding us here) worldwide? What are the profits for a city holding this kind of events?
The WAF, the World Architecture Festival that I’m experimenting since its beginning which was three years ago, is a very good event. It’s like a magazine, but alive. That means that you have the possibility to meet together in many different ways of conducting a practice, to practically meet with people and to have a cultural exchange which is very strong and really worldwide, as the name says (world). I appreciate this very much and I think that it should involve the city which is hosting it a little more.
It’s not easy, I know that the organizers are really trying to do that but, Barcelona is not totally conscious that this is taking place here, in this city and for some precise reasons. This is now getting better. I hope, in the future, this will also involve more the cultural life of the city of Barcelona.
This is very subjective. When I met Enric Miralles, we had some kind of heroes. It was very beautiful to have this discovery of Le Corbusier or the secret Le Corbusier. Anytime we were traveling, we were kind of discovering new heroes or local heroes, people that you were not very interested in and then you start to understand. What is very important is to have your eyes open and to be open and understand everything you find in front of you.
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Bio
In 1998, the partnership won the competition to design the new Scottish Parliament building and despite Miralles’ premature death in 2000, Tagliabue took leadership of the team as joint Project Director and the Parliament was successfully completed in 2004, winning several awards.
She won the competition for the new design of Hafencity Harbor in Hamburg , Germany, for a subway train station in Naples and for the Spanish Pavilion for Expo Shanghai 2010 among others.
Today,under the direction of Benedetta Tagliabue the Miralles-Tagliabue-EMBT studio works with architectural projects, open spaces, urbanism, rehabilitation and exhibitions, trying to conserve the spirit of the Spanish and Italian artisan architectural studio tradition which espouses collaboration rather than specialization.
Their architectural philosophy is dedicating special attention to context.
Benedetta has written for several architectural magazines and has taught at, amongst other places, the University of architecture ETSAB in Barcelona. She has lectured in many international architectural Forums as, for example, the RIBA, the Architectural Association and Bartlett School in, London, the Berlage Institut in Amsterdam, and in USA, China and South America.
She has exhibited in Brazil,Venezuela, the United States, France, Italy and of course Spain, using these exhibitions not only to explore her own architecture but also its relationships with other disciplines such us landscape, urbanisma and fashion. In Skin and Bones (New York 2006) she studied the connections between architecture (shelter) and fashion (wrapping for a body).
She has received the Honorary Doctor of Arts degree from Napier University (2004), The RIBA Stirling Prize 2005, the Centenary Medal from Edinburgh Architectural Association and the 2005 Spanish National Architecture Prize ‘Manuel de la Dehesa’, for the Scottish Parliament building. She was speaker at the 2006 RIBA International Conference in Barcelona and an outspoken Stirling Prize judge in 2009. In February 2010 she will be awarded with RIBA’s International Fellowships for the particular contribution as a non-UK architect she has made to architecture.
She has recently won the World Architectural Festival Award 2009 within Category Top Future Project for Shanghai Pavilion.
:: Profile at ArchiTravel >
http://www.architravel.com/architravel/architects/176
:: Photo information and credits:
1-2 > Santa Caterina Market: Alex Gaultier/ Miralles Tagliabue EMBT
Credit images: Vicens Gimenez
3-4 > Diagonal Mar park in Barcelona
Credit images: Miralles Tagliabue EMBT
5-6 > Hafencity public Spaces in Hamburg, Germany
Credit images: Alex Gaultier/ Miralles Tagliabue EMBT
7 > Gas Natural tower in Barcelona
Credit images: Alex Gaultier/ Miralles Tagliabue EMBT
8-9 > Piazza in Lleida
Credit images: Alex Gaultier/ Miralles Tagliabue EMBT
10-12 > Spanish Pavilion Expo Shanghai 2010
Credit images: Miralles Tagliabue EMBT
Note: The main picture of Benedetta Tagliabue is copyrighted by © Joan Villaplana















