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George J. Efstathiou on Architecture

Interview Date: 11-07-2012
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How would you characterize modern architecture nowadays?

I’ve been in the profession long enough to see trends come and go and things come back again. Right now, we are starting to see two things; one, buildings that were done in the ‘50s and they are updated a little bit. That other thing that we see for a several years now is the computer and the influence that has on the design of buildings. Twenty or thirty years ago we would draw by hand, we would never think of drawing twisty or curving towers because it was very difficult to do that and the economics were difficult. Things have been better; it is easier now for architects to draw and to dream. Fabricators have used the computer as well in fabrication techniques to make these kinds of dreams more affordable.

Is the world financial crisis an opportunity for everyone to reconsider the ways that we design and construct the buildings and the urban environment?

If you go back in history in the last thirty five years, you see that there have been economic down terms before. You see that always there is a reconsideration of how developers and everybody use buildings. When you are done with value, you start to reconsider what is really important about a building. We are going through that process right now.

Does Architecture as a profession need empowerment? In which ways should this be done?

First of all, architects don’t get paid enough money. Architects need to bond together in a much stronger way to raise a voice in the world. Certainly, in the United States, we have a very strong organization that needs to be stronger. Architects take a lot liability in designing buildings and the conversation about that is not enough.

In recent years attention turns to green urban regeneration. Do you think that it is imperative for the city or it’s just a new fashion with economic outcomes and covertly interests?

For forty years we have been engineering buildings to have energy conservation.  It is the future. Manufacturers and architects are still trying to figure out. We are still on very early stages of finding; there is no breakthrough solution that is going to solve every problem right now. In time, we will start to see things coming up like technology.

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George J. Efstathiou

George J. Efstathiou

Architect
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Bio

George J. Efstathiou is a consulting partner in the Chicago Office of Skidmore, Owings, & Merrill LLP. His responsibilities include the delivery of SOM’s services, including the coordination and management of all professional disciplines required for each of his client’s projects. As the firm’s liaison with the client, he ensures that all services are accomplished by the professional team within the established schedule and budget while meeting the goals set by the client. With extensive experience in the execution of complex projects, he works closely with the client, the construction teams, and others who contribute to the successful completion of the project.Mr. Efstathiou’s experience has encompassed the design, technical coordination, and project management of a variety of projects. In 1989, Mr. Efstathiou relocated to SOM’s London office for two years to manage both Broadgate and Ludgate projects. In addition to his experience in the United States, Mr. Efstathiou has extensive international experience in the United Kingdom, Malaysia, Korea, Russia, China, Brazil, and the Middle East.

:: Profile at ArchiTravel >
http://www.architravel.com/architravel/architects/1

:: Photo information and credits:

1 > Rolex Tower
Photo Courtesy SOM / Nick Merrick © Hedrich Blessing

2 > Rolex Tower_context plan
Photo Courtesy © SOM

3 > Rolex Tower_Ground and first floor plan
Photo Courtesy © SOM

4 > Rolex Tower_Office Typical Floor Plan
Photo Courtesy © SOM

5 > Rolex Tower_Residential Typical Floor Plans
Photo Courtesy © SOM

6 > Rolex Tower_Penthouse Typical Floor Plan
Photo Courtesy © SOM

7 > Burj Khalifa (formerly Burj Dubai)
Photo Courtesy SOM / Nick Merrick © Hedrich Blessing

8 > Infinity Tower
Photo Courtesy SOM / © Neoscape