Isaac A. Meir on Architecture and Sustainability
ECOWEEK 2011 theme is ‘URBAN COMMUNITIES + GREEN ARCHITECTURE’? In recent years attention turns to green urban regeneration. Do you think that it is imperative for the city or it’s just a new fashion with economic outcomes and covertly interests?
On the contrary, I think it is the only solution. To start with, existing buildings and clusters of buildings have already a lot of energy and material that have been invested in them. If the accepted solution is to turn them down once they are a bit old and then build instead of them something new, we’re actually wasting good materials, energy, embedded energy into the materials themselves, we’re creating a city that is a set of cutting bits and pieces where in some areas you may have a void which is being reconstructed. I think that by renewing the existing cities by adding new functions to existing clusters and buildings you give them a longer life, you make the history of the city much richer because you allow existing historical clusters and buildings to keep on living with different, newer functions but without forgetting where you come from, what is the history of the city, what are the previous cultures and how you actually develop and evolve through history. So, I think is vital not to destroy but rather to renew.
What is the importance of Architectural events, like ECOWEEK, worldwide? What are the profits for a city holding such kind of major events?
It brings different experts from different countries very close to the local students of architecture that might not find it easy or appropriate to travel for such an event to a different country. So, that makes the event itself a stimulating and educating event despite the fact that it’s not designed as such. It is designed as an interactive thing where younger and older architects exchange ideas and work together. It brings people from other countries to the venue of the event where they are exposed to the local problems. And they go away with a different perception of the place, a different perception of their future colleagues.
I believe it makes the work much easier when you have been exposed to colleagues from different universities, from different countries and you understand how to share your experiences and how to share your ideas with them. I think that especially for the students of architecture this is very important and I say that because for professionals and academics there is many conferences that take place. It is important for the students to see such events and maybe find the event an attraction that they can maintain when they become professionals, so that they are updated and they renew their background.
What does the title ‘Desert Architecture expert’ mean?That’s an interesting question. Deserts comprise about 40% of the world’s landmass. We tend to think that deserts are some remote places faraway from everybody else. The truth is that deserts are very big areas and with climate change they are expanding, they are moving closer to what used to be temperate climates, areas that are very similar to southern Greece, southern Spain, southern France and Italy.So, an expert in desert architect is somebody who know how to adapt planning and design to the specific characteristics of the desert which are very wide temperature fluctuations – it can be very hot in the summer and very cold during the weekend- there’s very little rainfall which means that in many cases you have very limited ability to play with vegetation, so you have to find other solutions.
It also has to do with additional environmental problems like dust storms and sandstorms, loss of livelihoods, of people, like farmers, people who work in animal husbandry, in many such areas there are there are very unreliable infrastructures for water distribution, for energy distribution. So, we always have to deal with extreme situations that make the architect’s job much more interesting, I think. Usually you cannot create good architecture unless you have all sorts of constraints that you have to deal with. If you have no constraints then any design can be of the same value.
How important is the history of architecture? How do we evaluate architecture in historical terms? Architectural history is vital because it allows us to understand every single culture and society that has developed a specific kind of architecture and in these terms it allows us to see local culture in a more comprehensive manner, in a more complete and holistic understanding. If you just read the literature, the poetry or if you just walk in the landscape you may understand a bit of the local culture but, if you see what kind of spaces people design for themselves in order to live in, to be educated, to entertain themselves in, that gives you a complete picture of the lifestyle of the people and through this lifestyle you can understand much better the culture and what formulates it.
Can an architecture book influence ordinary people, non architects, to deal with architecture and demand better urban environment? How can this be done?
Does Architecture as a profession need empowerment? In which ways should this be done?
It needs a lot of empowerment and it should be done by the architects assuming the kind of responsibility that is due. In recent years, and I’m not talking about five or ten years but rather about the last fifty years, architects have been shaking from ourselves the responsibilities. We don’t do structures anymore, the civil engineers do that, we don’t do ventilation, that’s the air-conditioning engineer, we don’t do the lighting, we get a specialist in lighting, we don’t do pluming, we don’t do transportation, we don’t do town planning, and we don’t do industrial design.Even if we go back to Bauhaus in the 1920s, that was the whole idea. That the architect learns how to do all of those things, an architect, is the first mason, the chief mason that knows everything about design and planning. If all architects are left with is “design”, which is nothing to do with technology systems, psychology, sociology, economics, soils, water and everything else, then we are left with no job. Empowering architects it’s the architects’ job. They have to start by studying more about everything that has to do with buildings and cities.
Most recent people interviewed (View all)
Shane O’Toole
Enric Ruiz-Geli
Josep Miàs | MiAS ARCHITECTS
Sir Terry Farrell
Alison Brooks
David Zahle
Bidisha Sinha & Simon Yu
Angela Brady
Suzana Glogowski
Tham & Videgård Arkitekter
Most recent list of themes (View all)
Architecture and Travel
Media-ICT
Architecture and Travel
Architecture and Sustainability
Architecture and Sustainability
Architecture and Photography
Architecture and Travel
Architecture and Photography
Architecture and Photography
Architecture and Travel

Isaac A. Meir
ArchitectCountry: Israel
Bio
:: Photo information and credits:
1 > Ramot Neighborhood / 1000Residential Units and assorted facilities in Beer Sheva, Negev, Israel / AerialView from SW-DetailDec21 demonstrating solar rights in desne urban fabric.
Photo courtesy © Isaac A. Meir
2 > Ramot Neighborhood / 1000Residential Units and assorted facilities in Beer Sheva, Negev, Israel / AerialView froRamot Neighborhood / 1000Residential Units and assorted facilities in Beer Sheva, Negev, Israel / illustration
Photo courtesy © Isaac A. Meir
3 > Meir House South facade-Newe Zin Solar Neighborhood-Sede Boqer Campus-Negev Highlands-Israel
Photo courtesy © Isaac A. Meir
4 > Blaustein Institutes For Desert Research-Administration Building patio with evaporative cooling tower-Sede Boqer Campus-Negev Highlands-Israel
Photo courtesy © Isaac A. Meir
5 > Blaustein Institutes For Desert Research-Administration Building-Sede Boqer Campus-Negev Highlands-Israel
Photo courtesy © Wolfgang Motzafi-Haller
6 > Kibbutz Samar earth integrated Library- Arava-Israel
Photo courtesy © Isaac A. Meir
> Profile Photo © Wolfgang Motzafi-Haller









